a momentary lapse in being original

burning_man.03.jpgperhaps it’s just typical to find SOMETHING to dislike about the business 2.0 article about how “burningman grows up” but i can’t help it!

i bet there’s probably even distinct camps of dislike about it, in fact.

camp #1 are the people who dislike that their special countercultural identity-defining ritual is being profiled somewhere so mainstream, and involves words like “brand” and “leverage.” you know it can’t be good for the “rebel” self-image to be confronted with the consideration of who might be reading about the mecca of the “radically self-expressed” alternative lifestyle when it’s written about glowingly on a url like money.cnn.com…

camp #2 might maybe be able to make an allowance for the market-speak as being superimposed by the writer vs. the being the normal vocabulary of the event’s organizers themselves, but this group is pissed that the strict ideology of anti-commercialism at all costs is being at all fucked with by the high priests themselves. how the hell are we supposed to follow the path to salvation from the “default world” if the compass arrow won’t stay pointed firmly in one direction? i mean, yeah, it’s just green businesses now, but this isn’t about green, goddamnit! it’s about black and white!

(yup: camp #1, and camp #2 link to the same place, curiously enough, and no: i didn’t make the reference “default world” up.)

ok, i take it back, not everyone’s irate. camp #3 actually probably doesn’t give a shit. camp #3 is just full of members of the creative class who’ve been using burningman as a giant dynamic gallery in which to get to exhibit their art and a great source of highly fun creative inspiration for years, and they’ll probably raise an eyebrow, sigh whatever, not even finish reading it to the end, and then get back to doing whatever it was they were doing before they got forwarded the article.

but i dislike it for different reasons. you know… i always get flack from my friends for paying attention to language too closely. like, one of the most annoying parts of any argument is when someone goes, “ok, you’re just picking on my word choice.” JUST picking on word choice! like as if words choose themselves, and mouths hiccup them up without any input on the process.

uh..yeah! i pick on fucking words alright, cuz you picked them. which makes us even. and the most irritating part about the whole article is marian goodell’s (one of the event’s main organizers) word choice when she says:

“This community is a dream for anyone looking at demographics. We have kids who work in coffee shops and we have billionaires. To ignore the value of our brand, the buying power it has, is silly. But it’s a ritual for these people, which is why it’s going to be hard for them seeing businesses out there.”

eeeuuchh!

i’ve written sponsorship proposals for LIB, and can very much sympathize with the trickiness of navigating the space between brand enticement (for the record, we’ve been targeting green companies to participate in our festival since ’06) and the management of non-commercial community expectations, but referring to the community that has sustained and nurtured your event, and that defines the buying power of your brand as “these people” or even as “them” is just…disingenuous, tacky, and… just…ugh, bad form!

Burning Man’s customers keep coming back to Black Rock precisely because it’s so far outside the scope of the corporate culture – and its incessant marketing – that most of them live with the other 51 weeks of the year.

i guess that’s the thing that gets camp #4 all up in arms–camp #4 is where i’m camped, at the intersection of “7:30” and “annoyed”– when there are corporate brands that treat their community with less distance, and more dignity (i by no means read that whole long discussion thread about the article, but the fact that it came as a total shock to the community is unmistakable) than this kind of language and closed-off attitude belie, then just what exactly is so special about the authenticity of an authentically disdainful counterculture “brand”? the article makes a big deal about how burningman has come back from the brink of bankruptcy like four times or something because the only way the event sustains itself is through selling admission tickets, and essentially nothing else to its communi–uh, i’m sorry, i mean, to “these people”–but in the end, you gotta wonder, is that (much like the anecdote that larry harvey, the event’s originator, didn’t have a bank account until like last year or whatever) actually part of a desire to make room for more intimate interactions than commercial transactions….

or just a bad business strategy?

    



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useful stuff for freelancers

this post is my contribution to the crowd-sourced response for everyone that demands answers to”useful stuff for freelancers?” from google.

1. billable: this had me at the built-in timer thingie, that tracks how long you’ve been working on a service for a particular client. i’m hoping it’s going to be the harness i need to keep from falling into the precipitous “i don’t know when i’m working and when i’m not” abyss.

2. legalzoom.com – hocus pocus… DBA! plus, if you type in “vandals” in the discount code section, you get ten bucks off. yeah, that’s right. vandals. joe escalante’s punk band is now your coupon.

    



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the current state of superheroes

as much as i love movies about teenagers i love movies about superheroes. i haven’t figured out exactly what the connection is between the two, but there’s definitely something similar about characters that experience everything in extreme.

last night i watched blood and chocolate and realized something that i’d already noticed happening in casino royale: the application of parkour into the “superhero’s” arsenal of moves. the weird thing about this is that parkour (also known as free running) is not something that was created using any kind of special effects–well, at least not the digital kind of special effects, anyway. it’s a totally real philosophy of movement that hollywood is starting to use to define a larger-than-life character. in blood and chocolate it was particularly appropriate, since the characters are werewolves, though in casino royale it’s definitely done on a much more intense scale. either way, it verges so close to magic that it’s hard to believe it’s something that evolved and can exist entirely outside of an action sequence choreography.

in fact, what’s really interesting is that after movies like the matrix and crouching tiger/hidden dragon and hero all acclimated us to this kind of movement being a wholly fabricated, cgi, bungee-harnessed, soundstage fairy tale, it’s now getting applied back into movies in a way that presents it as completely within the scope of biological human achievement as it is in real life. stunning not for man’s rule over pixels, but for the sense of his mastery over the laws of physics and physicality themselves.

it’s a peculiar cycle of life imitating art imitating life. the original superhero access to the realm beyond the physically-possible was through kung fu. and undoubtedly there’s an influence of the martial arts movie legacy in the genetic structure of parkour–after all, the artform is based on martial arts. so in the same way that fashion trends influence fashion trends, do movement trends influence movement trends? just how far can we stretch the canvas of our physical bodies once given the creative inspiration of a new possibility? and mind-over-matter stylie, could the unprecedented access to witnessing exponential evolutions in motion actually take us to places we could not have gone before?


some real-life superhero tour guides:

belle:

elsewhere:

brice (cuz we need a wonderwoman up in this piece):

krump comes as a team rather than solitary heroes (like the fantastic four):

sidenote: i just heard that a coupla free runners up from santa barbara are coming down to audition for lucent dossier today!! damn–how rad would that be?!

    



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more skin.graft fabulousness

(this one is a collaboration which includes original art by darrah danielle in the design)

(guys – hottest. jacket. fucking. EVER!)

…photos by tinydragonproductions.com

    



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today’s awesome ad award goes to:

found in Pride Magazine (my friend brought it back after going up to s.f. last weekend to dj at the gay pride parade)

 

this needs no explanation. it’s just awesome.

    



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