As if Hollywood’s not a circus enough as it is, ABC and NBC are both getting in on the action. Roll out the big top, guys, the circus is coming to town.
NBC has announced its plan to air Celebrity Circus, based on an Endemol format that’s been a huge hit in Portugal and Argentina, as part of its All-American Summer lineup.
Celebrity Circus, a competition-based reality show that will have “real” circus performers judging celebs on Cirque du Soleil-style circus stunts, promises to be “just as loud and noisy” as NBC’s winter slam-dunk, American Gladiators.
ABC is hoping that a new Circus of the Stars will catch on the way Dancing with the Stars has, and is in an intense bidding war for the show. Going for Dancing with the Stars-style drama rather than Gladiators-style boisterousness, ABC hopes Circus of the Stars will satisfy both the big top bug and reality fever.
which is funny for many reasons, but what i want to know is why the “quotes” around the word “real” before circus performers? is realittytvmagazine under the impression that real cricus performers don’t exist, that ABC will only hire “fake” ones, or that if you’re a circus performer you aren’t actually real?
anyway, in other “real” circus news…. we just announced the lineup for LIB08 today:
ps. the music player on lightninginabottle.org is live now too. go check out some “real” music.
everyday there’s some kind of new technology hoopla vying for my attention with the sordid insidiousness of a tabloid magazine at the checkout counter. and i don’t even buy that shit, but for some reason i can never resist trying to get the latest download on what’s going on in brad and angelina’s relationship while i’m waiting to ring up my groceries.
like this crazy story about a 17 year old girl from a working-class chicago suburb with no business background or any kind of investment backing accidentally striking it rich with her site that creates custom myspace layouts: www.whateverlife.com. (i feel like i may as well be reading about the state of britney’s deteriorating mental health.)
or getting sent links to stuff like dapper.net–which i don’t even understand what the hell it means half the time and that just fills me with this kind anxiety that’s on par with the dread of an “orange”national security alert. (are you feeling it yet?)
but that, of course, just begs the question: why is google so scared? what’s facebook really trying to do?
it’s like lindsey lohan. it’s insidious. it’s a giant nebula of crowd-sourced user-generated conspiratorial terror. i don’t want to think about the internet anymore. i’m over it. i just want a break.
i’m doing that thinking about the internet thing again.
fucking QUIT IT, internet. i don’t even care about this defeating, demoralizing tabloid trashstuff.
this is why i try to stay on the people side. with humans it might take like millennia to create any kind of significant change. it’s like…. all you have to do is look backwards at a relatively finite amount of information. (we may be discovering more of it as we go along, but it’s not like more of it’s being created.) so you just figure that stuff out, and you’re good to go. the basic programming idea behind the way we think, why want what we want, why we buy what we buy, why we behave the way we do, it’s all right there….. it’s like a swiss watch. it’s complicated, but you’re not expected to put it together differently every morning.
the internet, however is a different story. makes you want to just stick your fingers in your ears and go “lalalalala” (it’s working out well for the music industry, i hear).
ugh….
the whole thing’s just a big ol’ mess.
the post about the whateverlife.com story says:
The name came to Ashley in a moment of frustration. After losing a video game to [her friend] Bre, she dropped the controller and blurted out, “Whatever, life.” She liked it instantly. She thought it would be a great name for a Web site.
well…..
at least i’m not the only one tired of this stuff. even fifty’s got technolofatigue:
it’s kind of hard to write a post advocating a sense of balance. it’s easy to get all riled up and energized on preaching some kind of extreme; is it even possible to create a polemic for moderation? i’ve been sitting on this particular post for weeks, unable to summon up the oomph to do it justice, but i’m gonna try, cuz i think it’ll be useful.
there’s a lot of push for “radical transparency” in this social media culture of ours. from the free-sharing ethos of the open source community that’s defining a good deal of the new medium’s structure, to the rampant open-bookiness of the random user’s social network profile, total “openness” is being heavily bandied as a requisite for the new media era.
a few months ago wired dedicated it’s cover story to this issue, with the see-through CEO article:
Radical forms of transparency are now the norm at startups – and even some Fortune 500 companies. It is a strange and abrupt reversal of corporate values. Not long ago, the only public statements a company ever made were professionally written press releases and the rare, stage-managed speech by the CEO. Now firms spill information in torrents, posting internal memos and strategy goals, letting everyone from the top dog to shop-floor workers blog publicly about what their firm is doing right – and wrong….
of course, when considered in contrast to the long legacy of empty hype, manipulation, and even straight up coercion that we have become fed up with in mainstream media and big business it’s understandable that there would be such a resounding grito for “radical transparency” now that media has, for the first time, truly become interactive. “secrecy is dying.” the article proclaimed. “it’s probably already dead.”
but before we go get it taxidermied and hang its stuffed, antlered head up in social media’s hunting lodge, what i am proposing is that there is room for an intermediate option between the overt and the covert, one that emphasizes a sustainable (vs. radical) approach to maintaining the delicate balance between the blatant and the intriguing.
but wait…
Your customers are going to poke around in your business anyway, and your workers are going to blab about internal info – so why not make it work for you by turning everyone into a partner in the process and inviting them to do so?….Some of this isn’t even about business; it’s a cultural shift, a redrawing of the lines between what’s private and what’s public. A generation has grown up blogging, posting a daily phonecam picture on Flickr and listing its geographic position in real time on Dodgeball and Google Maps. For them, authenticity comes from online exposure. It’s hard to trust anyone who doesn’t list their dreams and fears on Facebook.
ok. i’ll tell you something else about what i and some of the rest of this generation grew up doing. we grew up going to–and some of us, producing–“outlaw” parties. you can check out groove or go or kids even, if you weren’t there for yourself, but suffice it to say these were unpermitted, unfireproofed, underground all-night events that routinely broke a whole lot of safety codes, property laws, and a slew of other legislative regulations. there was a tremendous sense of community and trust that developed within this scene which was at once superlocal and hyperglobal, and we all relied on each other to be good at keeping a secret. because if we weren’t, we would all be saving the 3 am dance for members of law enforcement. and once the cops came there was no more fun for anyone.
which is not to say that i am advocating illegal activity in business practices, but rather to point out that this generation that now publicizes its dreams and fears for the world to see may yet be able to appreciate the value in keeping certain things–as the kids say–on the DL.
the wired article does point out that, ok, perhaps:
Secrecy can be necessary – CEOs are often required by law to keep mum, and many creative endeavors benefit from being closed: Steve Jobs came up with a terrific iPhone precisely because he acts like an artist and doesn’t consult everyone. In fact, secrecy is sometimes part of the fun. Who wants to know how this season of 24 is going to end? It’s not secrets that are dying but lies.
the article tosses in this dynamic concept that secrets can be fun, and then moves right along on its radical transparency proselytizing way without giving it any more thought. it’s this kind of secret that i’m interested in. the secret that is not a lie, the secret that’s enjoyable: the mystery.
because you know why? because mystery is infinitely engaging. mystery bestows specialness. mystery can create bonds within a community, and oh, hell, mystery is sexy!
i mean, full disclosure certainly can be sexy too, but it all depends. we don’t fantasize about what EVERYONE looks like naked, dig? and that goes for companies too. sometimes we don’t NEED to know. sometimes it’s a lot more boring or disappointing if we do. sometimes it ruins the magic. sometimes it could be more captivating if you maybe put your clothes back on and sought to seduce us. think of it like a strip tease. in fact, i think we can all learn a thing or two on the subject from cabaret. but not the outdated oldskool kind. no, i’m talking about punk rock cabaret.
n 2004 the dresden dolls were just this odd little cult duo from boston on their first US tour. at their L.A. show matt hickey, the dolls’ booking agent, said to me: you know, no matter how big they may ever get, it’s really important that you should still be able to feel like you are just discovering them. that idea has stuck with me ever after, and i think it’s immensely valuable advice to anyone responsible for the development of a lifestyle brand.
in the years since that conversation, the dolls have gone on to tour the world with panic! at the disco, nine inch nails, and many other major acts. the last time i saw them perform was about a year ago at the orpheum theatre in LA and i’d say that that sense of intimate discovery remained intact even when thousands of people now knew the words to all their songs.
how do you cultivate this intimacy? you keep things mysterious.
the lore around the relationship between the duo is the stuff of cult-rock mythology at this point, rife with tensions and speculation. but sustained mystery is not the exclusive territory of celebrity, where it is, in fact, more often than not mismanaged. it’s also the very same sort of element that induces alternate reality game enthusiasts to willingly participate in an obscure adventure, trusting that each discovery will lead them to an even greater enigma. in a certain sense our whole fetishized infatuation with celebrity can itself be thought of as one giant pop culture ARG–but that’s enough philosophy for one post, i think.
instead lets head over to psychology land. after all, this whole mystery thing is how people fall in love, and the result of eliminating its terrific tension can ruin an otherwise great relationship. (think brand-consumer relationship too!)
in her excellent book, mating in captivity, esther perel, a couples and family therapist and self-identified “cultural hybrid,” offers some refreshingly counter-intuitive (to american intuition, that is–perel was raised in europe, educated in israel, and now practices in NY) insight on how to “reconcile the erotic and the domestic.”
Intimacy has become the sovereign antidote for lives of increasing isolation…. but I am not convinced that unrestrained disclosure–the ability to speak the truth and not hide anything–necessarily fosters a harmonious and robust intimacy.
The mandate of intimacy, when taken too far, can resemble coercion. Deprived of enigma, intimacy becomes cruel when it excludes any possibility of discovery. Where there is nothing left to hide, there is nothing left to seek.
It’s been my experience as a therapist that the breakdown of desire appears to be an unintentional consequence of the creation of intimacy. Our ability to tolerate our separateness is a precondition for maintaining interest and desire in a relationship….Desire thrives on the mysterious, the novel, and the unexpected. It is energized by it.
An expression of longing, desire requires ongoing elusiveness.
we appreciate mystery not for the end goal of its destruction, but for the enjoyment of its process–its revelatory discovery, its furtive sharing. mystery isn’t about being shady, it’s not about deception, nor is it mutually exclusive with making things more accessible, safer, or better explained. there probably isn’t even one right way to sustain it–do too good a job of it and you run the risk of ending up in the dangerous territory of exclusivity. but mystery is incredibly powerful, and has the capacity to engage and captivate us all like nothing else. we shouldn’t ever discount it or think that complete transparency is really a viable substitute. sustained mystery, when pursued consciously and wielded carefully is an effective strategic approach in its own right.
do 11 year olds really talk like sitcom writers now? i mean, it’s kinda funny… in a mildly disturbing sort of way. like one-liners are the next evolution of jr.’s “first words”…an eventually unmanageably annoying evolution, but, like the kids say… whatever.
check out these little Red “characters” (such as chill, grumpy, whatever, flirty) that were developed for beRed.com (now teens.aol.com) by ATTIK.
how to step up to the challenge of creating campaign elements that let kids know RED is the place for them?
when you show up at teens.aol.com, by the way, you’re greeted with a paparazzi shot of britney in a car with some guy obscured by the rear view mirror and big sunglasses, with the caption, “who’s that guy?run, guy we don’t know. run!”
so it’s nice at least that the messaging tone is consistent.
oh, chill also has a different aspect to his personality in other settings, like “why should i worry when my parents do it for me?” it’s like that fairy tale… you know, be Red and the seven obnoxious tween dwarfs? classic. originally these were developed as door hangers too:
now you can also find them as banners at profgilzot.com. (and while you’re doing that, check out the stunningly rock and roll SAT prep tutor illustrated there. seriously, like straight outta williamsburg.)
it’s undoubtedly great identity marketing: gotta speak to the audience on their own terms if you want to get across that your product is for them. unfortunately, why are those the terms? anyone remember all those post 9/11 predictions about “the death of irony”? yeah…. THERE was a trend forecast that was spot on, evidently.
tho… i guess i’m not helping any. but i mean, irony’s ok for adults, right? so maybe you should have to be over a certain age for us to allow ourselves to subject you to it?