on rating adoption

“If you don’t love everybody, you can’t sell anybody!’
Jerry Maguire’s mentor “Dicky Fox”

ok, enough with the fun and games. heave a sigh of relief to not be breathing playa dust anymore, put away your white clothing, let’s get serious, and talk about marketing.

one of the things that i haven’t given too much attention here yet, but consider hugely significant in the development of any marketing strategy is the dynamics of trend diffusion–that is, the process(es) by which trends, products, and ideas spread, and become adopted by and across cultures/markets. as with everything else i do, my particular perspective on the workings of these processes is colored by the lens of identity. people buy those products and brands that they identify with in some fashion, and this likewise affects the point at which they buy them. my approach to diffusion then, is something akin to the scientific process of pouring the active ingredients of adoption patterns into the identity solution and seeing what poofs out.

various theories have been developed to explain how diffusion works. there’s the dancey sounding two-step flow model developed by paul lazarsfeld and elihu katz, in which mass media information is channeled through “opinion leaders” (step 1) to the “masses” (step 2). whether or not this was ever so simply the case outside of the catholic church deali-o, in the current cyclical context of the age of conversation it certainly is no longer. there’s also the politically reminiscent trickle-down effect which says that as products become more affordable they sell better, the coefficient of diffusion thereby being nothing more complicated than price point. as reaganomically limited in its scope of the overall situation as the theory’s name would imply.

in the 60’s everett rogers broke the adoption bell curve down into different types of adopter personas in his diffusion of innovation theory:

and a bit later on frank bass came along with a lot of terrifying math stuff that looks like this:

frac{f(t)}{1-F(t)} = p + {q}F(t)

Where:

 f(t)  is the rate of change of the installed base fraction
 F(t)  is the installed base fraction

 m  is the ultimate market potential

 p  is the coefficient of innovation

 q  is the coefficient of imitation

Sales \ S(t) is the rate of change of installed base (i.e. adoption) \ f(t) multiplied by the ultimate market potential \ m :

\ S(t)=mf(t)

 S(t)=m{ frac{(p+q)^2}{p}} frac{e^{-(p+q)t}}{(1+frac{q}{p}e^{-(p+q)t})^2} 

The time of peak sales \ t^* : t^*=frac{Ln frac{q}{p}}{(p+q)}
The time of peak sales \ t^* : t^*=frac{Ln frac{q}{p}}{(p+q)}
The time of peak sales \ t^* : t^*=frac{Ln frac{q}{p}}{(p+q)}

but all he was really trying to do was name a subwoofer after himself, i.e. the bass diffusion model, which presents a relatively more nuanced perspective for understanding the adoption process:

image:Bass new adopters.gif

the bass diffusion model at least reflects a deeper insight onto what’s going on in this messy process than what the other fellows had to offer with their minimalist s-curves and bell curves and whatnot, but there is one consistent problem with all these graphs, and it’s exactly what you’d expect the problem WOULD be with the creative output of mathematicians:

the words.

“laggards”? “imitators”? mathematicians can maybe claim social ineptness and get away with labelling people in this kind of tactlessly condescending way, but what excuse do marketers have? the implication in the labels for the different adoption categories is not only the assumption that consumers must be striving to catch up to the left side of the graph at all times, but leaves nothing to the imagination about how much respect the folks relegated to sitting on the “back of the bus” deserve.

these are the people we are counting on to BUY our shit at some point, and this is what we call them? see, it seems like it’d be easier if everyone could just be bulldozed leftwards as soon as possible, (where they will be treated as the cheap dat–wait, no errr– as the first-class citizens we want them to feel they are), but in reality i don’t think that’s true were it even possible. not only would early adopters have no way of distinguishing themselves (bye-bye prized adopter category), but if everyone was huddled over on the left, brands would not have the opportunity to recalibrate their strategy; it would just be a one-shot chance to succeed or, what’s more likely, fail.

since it may appear that we might actually NEED the right side of the curve to even out the stakes a bit, perhaps we ought to consider that there are benefits in being able to understand it better. in fact, instead of just blindly inflating the egos of the prodigal “early adopters,” like parents worrying about our kids’ “self-esteem,” there may be benefits in understanding the nature of what is actually going on along the entire curve in greater detail.

the first step is to acknowledge that we shouldn’t assume the various stages on the adoption bell curve are just phases people are going to grow out of or hoping to level up through. the second is that thinking of the categories as their own self-contained identity segments is useless.

think about someone you met relatively recently asking you what kind of music you like. unless it’s within several days of your birthday or christmas, that question is not actually strictly about sonic preferences. people can easily admit such things as “i like british indie rock” or “i like southern rap” or “i like dirty sexy glitchy breaks,” and because musical taste can often translate to much bigger things about a person’s lifestyle, aesthetic sensibilities, community, perhaps even their values, asking what kind of music someone likes is basically just a much more efficient–not to mention pallatable–way of asking them to explain some fundamental aspects of their fragile identity. music preference easily establishes a common language for particular kinds of consumer identities and therefore is a relatively useful way to define market segments.

thinking of an adoption category as a useful means for defining consumer identity unto itself is about as effective as using latin to communicate in modern-day europe–it might be related, but it will not actually get your message across.

there is such an enormous variety of factors that affect not only why someone (or a certain kind of someone, or certain groups of kinds of someones) would make a particular purchase at a particular point, but also why they’d make different purchase decisions at differing points in the diffusion timeline, that whether someone is an “early adopter” or a (eeuggh) “laggard” in itself, tells you practically NOTHING about their identity or how to communicate with them. a friend of mine got an iphone on the first day but still doesn’t have power windows in his car–does this make him an early adopter, or not?

there’s a lot more to say on this topic and i’m not going to bother shoving it all into one post. this one’s enough to set the scene for where the action’s headed, i think. the main point to take away–in case you got frightened by the scary math stuff, and haven’t bothered to read anything since then up till now–being:

suspending the value judgement from adoption categories, and instead developing a more nuanced understanding of their intricacies and functioning, and the particular needs of the individuals within them, will result in more effective strategy.

    



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the significance of the man burning early

a play about cross-cultural communication:

burner – played by someone who is part of the burningman community.

non-burner: played by someone who is not.

– – –

burner: OMG! the man burnt early!

non-burner: what?

burner: have you ever heard of burningman?

non-burner: hmm… looks like some crazy festival in the desert?

B: yeah. they also burn a statue of a man. that’s why they call it burningman.

NB: well, i don’t really get the point of that but…ok….

B: so someone set it on fire last night. and now everyone’s all upset.

NB: i thought you said they’re supposed to burn it.

B: no… this was arson!

NB: what’s the difference?

B: well, first of all, it’s not supposed to get burnt until saturday night.

NB: what do you do with it before then?

B: nothing, really, you look at it, and ride by it and stuff.

NB: can you climb on it?

B: not recently.

NB: so it’s just a decoration basically?

B: well, i mean, it’s someoen’s ART.

NB: oh damn! who’s the artist?

B: the burningman organization.

NB: so it’s kinda like… corporate art? dude, i don’t know… there’s some tacky shit up in the lobby i wouldn’t mind…

B: hey! just because it’s produced by the burningman organization doesn’t mean it’s not someone’s creation.

NB: you’re right… that’s true. it is pretty crummy that someone burnt it.

B: yeah at least they caught the guy… you wanna see a mugshot?

NB: oh my god! that guy looks CRAZY!

B: well….

NB: what?

B: well, he kind of… a lot of people wear crazy outfits and makeup and stuff there.

NB: so this guy, he… fits in there?

B: well…i mean… yeah….

NB: i dunno…. if there’s a bunch of crazy tattooed people all running around in war paint and stuff–

B: hey! this whole thing is ABOUT “radical self expression!” that’s the whole idea…

NB: but… doesn’t what he did then… doesn’t that kinda count as pretty radical expression?

B: what? NO! look, radically self expressing means like… like… i spend the whole time there wearing a tutu and a cowboy hat simultaneously. ok? i don’t take away something from everybody who comes to the event just to see the man burn. that waits for this all year long.

NB: but they destroy the thing anyway!

B: you can’t destroy it until they say so!

NB: you know… all these rules sound really complicated and confusing.

B: it’s really not. it’s really all just about art. you know, people spend so much time and energy creating amazing art to bring out there and share with everyone, and this guy just–

NB: wait…you think maybe this was his art?

B: what?

NB: well, i bet this took a good deal of planning beforehand, and it’s certainly a statement–

B: what the hell kind of statement does it have?

NB: i don’t know… maybe something like, about culture jamming or somethig? it seems like there’s a message it’s trying to get across maybe, and it–

B: that is ridiculous. that isn’t art with a message! THIS is art with a message:

 

NB: oh. hm…. how much fuel you think it took to trasnport and construct atll tha?

B: ok. you know what…. i have to go finish packing now.

NB: ok. see ya. have fun!

B: thanks!

    



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nobody but yourself

To be nobody but yourself in a world which is doing its best day and night to make you like everybody else means to fight the hardest battle which any human being can fight and never stop fighting.
— e.e. cummings

which is all quite noble and good, but the thing of it is, e.e., is that it’s very difficult, not to mention psychologically debilitating, to exist entirely out of cultural context. not only do human beings (and enough sad, shaky little monkeys that we don’t need to conduct this experiment anymore, please) suffer severe emotional and no doubt neurological damage when left in isolation, but in practical reality, whether it’s cultural heritage, gender, skin color, family education level, economic class, or whatever, the sum influence on “who we are” of certain variables of culture-caste is a bit tricky to evade. and in the end, even those that do manage to escape this influence in its entirety still don’t earn their own individual place in society anyway, cuz we just lump them into one big group called “crazy.”

that’s not to say that the rest of us aren’t, in fact, embroiled in a kind of nonstop battle like what e.e. was refering to, but it’s not exactly about the struggle to be nobody but ourselves in a world that is trying to make us like everyone else. rather it is about the anxiety of having to figure out how to EXPRESS who we want to be seen as in a world where the options keep expanding.

which is why “THE OFFICIAL GUIDE TO OFFICIAL HANDBOOKS” by andy selsberg, is a great bit of humorous salve on the battle wounds of that anxiety. by pitting the various Official This-Or-That (Preppy, Yuppie, JAP, BAP, Bobo Hipster–it’s like the star wars cantina, but real) handbooks against one another, it exposes, for a moment, the inevitable ridiculousness of the entire “we’re all different… in the same way” con game.

We tend to think our standards for the beautiful and good are natural and eternal. They aren’t. And you know who needs this analysis?…. Marketers. If business is about knowing how your customer thinks, then [these are] business book[s]. [They] tell you exactly how to jack all those fat baby-boomer wallets—whether you’re selling ice cream, a university, a book, a religion, or a company. When I see suits on planes reading business best sellers, I think: Wrong! Get some books that explain how groups try to reconcile their dreams of who they want to be with the social and economic realities of their world through the stuff they buy. Then get down to business. That’s what J. Crew did.

….dude! that’s what i’m talking about! i mean…like, literally.

you should totally check out selsberg’s fucking awesome article (and you may never take the cultural significance of a disproportionate use of such superlatives as “fucking awesome” for granted ever again once you do, dear reader).

here’s a fun timeline of all the Official handbooks referenced in his article.

timeline2.jpg

1980 – The Official Preppy Handbook
“Prep Sex: A Contradiction in Terms”

1982 – The Official J.A.P. Handbook
(that stands for Jewish American Princess, by the way)
“At the very core of the female Born JAP aesthetic are two guiding principles: 1) I am terrific; 2) Daddy will pay.”

1984 – The Yuppie Handbook
“Thou shalt have no other gods before thyself.”

1994 – The Official Slacker Handbook
“Part old-fashioned bohemianism and part fin de siècle exhaustion, placed against the backdrop of a crappy recession and intolerable suburban irony.”

1997 – The Field Guide to North American Males
“Wanna come over and watch The Simpsons?”

2000 – A Field Guide to the Yettie
Yettie = Young Entrepreneurial Technocrat

2001 – Bobos in Paradise
Bobo = BOurgeois BOhemian.

2001 – The BAP Handbook
(BAP = Black American Princess)
“Any name beginning with ‘La’ or ‘Sh’ and ending in -ima, -ika, -isha, and -ita is never considered by BAParents.”

2002 – The Hipster Handbook
This old vocabulary? I’ve had it since I was twelve.

and while you and i wonder what’s up with the delay on the Official G Handbook, the Official Cholo Handbook, and the Official ABC handbook, we can at least entertain ourselves with the hipster olympics in the meantime:

    



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the education experience

i’ve been driving past this construction zone on the corner of vermont and washington for the past two years every time i need to get to the 10 onramp, only recently was the hard-hat area gauze removed to reveal what this building actually is: a school.

 

A School Even Teens Will Love

a couple of days ago i heard a really interesting bit on KCRW about a new kind of thinking that went into the construction of a particular school building, and before they even mentioned the location, i knew immediately which building they must be talking about. west adams prep.

among a lot of other great ideas they discussed on the show, the developers talked about approaching the creation of this facility for learning by researching the kinds of places that kids in l.a. actually LIKE spending time out of their own free will, and modeled the space to provide the same kind of “hanging out” experience as popular L.A. malls. they also asked the students to participate in various school-identity decisions like school colors and mascots. these are just some of a whole number of very conscious steps taken not only by the architects to create a space that would deliberately create a great experience for those in it, but also by the administrators to turn the school itself into a “concept” that kids would feel a part of and identify with in a positive way.

so basically they took the same kind of experience-creation and interaction/community-development approaches that brands are using in their strategies to win over the affections of the coveted high school demo, and applied it to–HOLY SHIT!–creating a high school.

you can listen to the full piece HERE. and you should. really cool stuff.

    



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sweet talk

just noticed these messages this morning on the unbranded side of splenda packets. it actually DID make me smile!

sweettalk2.jpg

sweettalk3.jpg

sweet experiences can come in all sorts of packets too. way to go, splenda. sugar was never this sweet to me.

    



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