the significance of the man burning early

a play about cross-cultural communication:

burner – played by someone who is part of the burningman community.

non-burner: played by someone who is not.

– – –

burner: OMG! the man burnt early!

non-burner: what?

burner: have you ever heard of burningman?

non-burner: hmm… looks like some crazy festival in the desert?

B: yeah. they also burn a statue of a man. that’s why they call it burningman.

NB: well, i don’t really get the point of that but…ok….

B: so someone set it on fire last night. and now everyone’s all upset.

NB: i thought you said they’re supposed to burn it.

B: no… this was arson!

NB: what’s the difference?

B: well, first of all, it’s not supposed to get burnt until saturday night.

NB: what do you do with it before then?

B: nothing, really, you look at it, and ride by it and stuff.

NB: can you climb on it?

B: not recently.

NB: so it’s just a decoration basically?

B: well, i mean, it’s someoen’s ART.

NB: oh damn! who’s the artist?

B: the burningman organization.

NB: so it’s kinda like… corporate art? dude, i don’t know… there’s some tacky shit up in the lobby i wouldn’t mind…

B: hey! just because it’s produced by the burningman organization doesn’t mean it’s not someone’s creation.

NB: you’re right… that’s true. it is pretty crummy that someone burnt it.

B: yeah at least they caught the guy… you wanna see a mugshot?

NB: oh my god! that guy looks CRAZY!

B: well….

NB: what?

B: well, he kind of… a lot of people wear crazy outfits and makeup and stuff there.

NB: so this guy, he… fits in there?

B: well…i mean… yeah….

NB: i dunno…. if there’s a bunch of crazy tattooed people all running around in war paint and stuff–

B: hey! this whole thing is ABOUT “radical self expression!” that’s the whole idea…

NB: but… doesn’t what he did then… doesn’t that kinda count as pretty radical expression?

B: what? NO! look, radically self expressing means like… like… i spend the whole time there wearing a tutu and a cowboy hat simultaneously. ok? i don’t take away something from everybody who comes to the event just to see the man burn. that waits for this all year long.

NB: but they destroy the thing anyway!

B: you can’t destroy it until they say so!

NB: you know… all these rules sound really complicated and confusing.

B: it’s really not. it’s really all just about art. you know, people spend so much time and energy creating amazing art to bring out there and share with everyone, and this guy just–

NB: wait…you think maybe this was his art?

B: what?

NB: well, i bet this took a good deal of planning beforehand, and it’s certainly a statement–

B: what the hell kind of statement does it have?

NB: i don’t know… maybe something like, about culture jamming or somethig? it seems like there’s a message it’s trying to get across maybe, and it–

B: that is ridiculous. that isn’t art with a message! THIS is art with a message:

 

NB: oh. hm…. how much fuel you think it took to trasnport and construct atll tha?

B: ok. you know what…. i have to go finish packing now.

NB: ok. see ya. have fun!

B: thanks!

    



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nobody but yourself

To be nobody but yourself in a world which is doing its best day and night to make you like everybody else means to fight the hardest battle which any human being can fight and never stop fighting.
— e.e. cummings

which is all quite noble and good, but the thing of it is, e.e., is that it’s very difficult, not to mention psychologically debilitating, to exist entirely out of cultural context. not only do human beings (and enough sad, shaky little monkeys that we don’t need to conduct this experiment anymore, please) suffer severe emotional and no doubt neurological damage when left in isolation, but in practical reality, whether it’s cultural heritage, gender, skin color, family education level, economic class, or whatever, the sum influence on “who we are” of certain variables of culture-caste is a bit tricky to evade. and in the end, even those that do manage to escape this influence in its entirety still don’t earn their own individual place in society anyway, cuz we just lump them into one big group called “crazy.”

that’s not to say that the rest of us aren’t, in fact, embroiled in a kind of nonstop battle like what e.e. was refering to, but it’s not exactly about the struggle to be nobody but ourselves in a world that is trying to make us like everyone else. rather it is about the anxiety of having to figure out how to EXPRESS who we want to be seen as in a world where the options keep expanding.

which is why “THE OFFICIAL GUIDE TO OFFICIAL HANDBOOKS” by andy selsberg, is a great bit of humorous salve on the battle wounds of that anxiety. by pitting the various Official This-Or-That (Preppy, Yuppie, JAP, BAP, Bobo Hipster–it’s like the star wars cantina, but real) handbooks against one another, it exposes, for a moment, the inevitable ridiculousness of the entire “we’re all different… in the same way” con game.

We tend to think our standards for the beautiful and good are natural and eternal. They aren’t. And you know who needs this analysis?…. Marketers. If business is about knowing how your customer thinks, then [these are] business book[s]. [They] tell you exactly how to jack all those fat baby-boomer wallets—whether you’re selling ice cream, a university, a book, a religion, or a company. When I see suits on planes reading business best sellers, I think: Wrong! Get some books that explain how groups try to reconcile their dreams of who they want to be with the social and economic realities of their world through the stuff they buy. Then get down to business. That’s what J. Crew did.

….dude! that’s what i’m talking about! i mean…like, literally.

you should totally check out selsberg’s fucking awesome article (and you may never take the cultural significance of a disproportionate use of such superlatives as “fucking awesome” for granted ever again once you do, dear reader).

here’s a fun timeline of all the Official handbooks referenced in his article.

timeline2.jpg

1980 – The Official Preppy Handbook
“Prep Sex: A Contradiction in Terms”

1982 – The Official J.A.P. Handbook
(that stands for Jewish American Princess, by the way)
“At the very core of the female Born JAP aesthetic are two guiding principles: 1) I am terrific; 2) Daddy will pay.”

1984 – The Yuppie Handbook
“Thou shalt have no other gods before thyself.”

1994 – The Official Slacker Handbook
“Part old-fashioned bohemianism and part fin de siècle exhaustion, placed against the backdrop of a crappy recession and intolerable suburban irony.”

1997 – The Field Guide to North American Males
“Wanna come over and watch The Simpsons?”

2000 – A Field Guide to the Yettie
Yettie = Young Entrepreneurial Technocrat

2001 – Bobos in Paradise
Bobo = BOurgeois BOhemian.

2001 – The BAP Handbook
(BAP = Black American Princess)
“Any name beginning with ‘La’ or ‘Sh’ and ending in -ima, -ika, -isha, and -ita is never considered by BAParents.”

2002 – The Hipster Handbook
This old vocabulary? I’ve had it since I was twelve.

and while you and i wonder what’s up with the delay on the Official G Handbook, the Official Cholo Handbook, and the Official ABC handbook, we can at least entertain ourselves with the hipster olympics in the meantime:

    



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the education experience

i’ve been driving past this construction zone on the corner of vermont and washington for the past two years every time i need to get to the 10 onramp, only recently was the hard-hat area gauze removed to reveal what this building actually is: a school.

 

A School Even Teens Will Love

a couple of days ago i heard a really interesting bit on KCRW about a new kind of thinking that went into the construction of a particular school building, and before they even mentioned the location, i knew immediately which building they must be talking about. west adams prep.

among a lot of other great ideas they discussed on the show, the developers talked about approaching the creation of this facility for learning by researching the kinds of places that kids in l.a. actually LIKE spending time out of their own free will, and modeled the space to provide the same kind of “hanging out” experience as popular L.A. malls. they also asked the students to participate in various school-identity decisions like school colors and mascots. these are just some of a whole number of very conscious steps taken not only by the architects to create a space that would deliberately create a great experience for those in it, but also by the administrators to turn the school itself into a “concept” that kids would feel a part of and identify with in a positive way.

so basically they took the same kind of experience-creation and interaction/community-development approaches that brands are using in their strategies to win over the affections of the coveted high school demo, and applied it to–HOLY SHIT!–creating a high school.

you can listen to the full piece HERE. and you should. really cool stuff.

    



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sweet talk

just noticed these messages this morning on the unbranded side of splenda packets. it actually DID make me smile!

sweettalk2.jpg

sweettalk3.jpg

sweet experiences can come in all sorts of packets too. way to go, splenda. sugar was never this sweet to me.

    



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babies no longer buying furniture

img_3744.JPG

teen spending, however, remains stable.

img_3745.JPG

or maybe new parents are increasingly just buying all this stuff online.

    



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